|
Sources
of Information in the artists' catalogues
The
information presented here, in these artists catalogues, has been drawn from a
number of sources. In particular information has come from (A) printed books and
sale catalogues,
(B) exhibition catalogues, price lists, etc. (C) the artists themselves and (D)
observations made by the compilers of this catalogue. (E) catalogues (printed or online) of collections.
Some of
these sources are more reliable than others, but errors are all too frequent,
particularly in titles, dates, media and sizes. Where possible, the information
has been cross-checked in as many sources as available and where discrepancies
exist, an attempt has been made to determine the most likely facts.
We have
employed the Russell Nomenclature to show how the information has been derived. The
following codes appear in green braces, and have these meanings:
|
Sources: |
|
|
|
{A1} |
|
Graham Ovenden, Academy Editions, 1987 |
|
{A2} |
|
Ruralists, Academy
Editions (Art and Design), 1991 |
|
{A3} |
|
The
Black and White Art Photographer, Journal 5, 1992 |
|
{A4} |
|
The
Incredible Music Machine, Quartet Books, 1982 |
|
{A5} |
|
The
Secret Garden, Brotherhood of Ruralists, 1989 |
|
{A6} |
|
Nine
Poems by Eve Machin, Brotherhood of Ruralists, 1987 |
|
{A7} |
|
Great
Tew by Simon Rae, Brotherhood of Ruralists, 1989 |
|
{A8} |
|
Art
and Design, December 1985 |
|
{A9} |
|
The
Continuing Tradition, David Paul Gallery, 1985 |
|
{A10} |
|
Little
Egypt by Pauline Stainer, Brotherhood of Ruralists, 1991 |
|
{A11} |
|
Terms
of Life by Eve Machin, Brotherhood of Ruralists, 1992 |
|
{A12} |
|
Round
About a Great Estate by Rechard Jeffries, Ex Libris Press, 1987 |
|
{A13} |
|
Art
and Design: The New Romantics, 1988 |
|
{A14} |
|
Bonhams
auction catalogue, 20th Century British Art, 2 December 2003. |
| {A15} |
|
The Brotherhood of Ruralists by Nicholas Usherwood, Lund Humphries, 1981 |
|
{B1} |
|
Royal
Academy, Summer Exhibition, 2001 |
|
{B2} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1995 |
|
{B3} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1984 |
|
{B4} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1981 |
|
{B5} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1978 |
|
{B6} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1987 |
|
{B7} |
|
Piccadilly
Gallery Exhibition, Graham Ovenden, 1992 |
|
{B8} |
|
Portfolio
Gallery, Graham Ovenden, Street Memories |
|
{B9} |
|
Portfolio
Gallery, The Cabinet of Dark Things |
|
{B10} |
|
Ruralists
Alice Exhibition, Bearnes, 1990 |
|
{B11} |
|
Ruralists
Alice Exhibition, Piccadilly Gallery, 1990 |
|
{B12} |
|
The
Ruralists, Arnolfini, Bristol, 1981 |
|
{B13} |
|
The
Secret Garden, Ruralists Exhibition, Piccadilly Gallery, 1989 |
|
{B14} |
|
A
Family of Friends, The Old School, Bleddfa, 1991 |
|
{B15} |
|
Ophelia
Exhibition, Bristol Museum and Art Gallery, 1980 |
|
{B16} |
|
South
West Academy of Fine and Applied Arts, Open Exhibition, 2001 |
|
{B17} |
|
Ruralists
Alice Exhibition, Devizes, 1992 |
|
{B18} |
|
Ruralists
2001 Exhibition, Cornwall |
|
{B19} |
|
Ruralists
2000 Exhibition, Cornwall |
|
{B20} |
|
Ann
Arnold, Alex Lumley, Alasdair Rennie Exhibition, New Grafton Gallery,
2002 |
|
{B21} |
|
Graham
Arnold: A Retrospective, The Tabernacle Cultural Centre, 1992 |
|
{B22} |
|
Peter
Nahum at the Leicester Galleries, website/database, information from the
work itself. |
|
{B23} |
|
Graham
Arnold 70th Birthday Exhibition, The Tabernacle, The Museum of Modern Art,
Wales |
|
{B24} |
|
Exhibition
of New Works by Graham and Ann Arnold, Silk Top Hat Gallery, 1996 |
|
{B25} |
|
Piccadilly
Gallery Exhibition, Graham Arnold, 1995 |
|
{B26} |
|
Peter
Nahum, Medieval to Modern, 2003 |
|
{B27} |
|
Ann
Arnold Exhibition, New Grafton Gallery , 1981 |
|
{B28} |
|
Over
the Rainbow Exhibition, Bearne's Torquay, 1993 |
|
{B29} |
|
Ann
Arnold Exhibition, New Grafton Gallery , 1992 |
|
{B30} |
|
Ann
Arnold Exhibition, Piccadilly Gallery, 1991 |
|
{B31} |
|
Ann
and Graham Arnold Exhibition, Silk Top Hat, 2001 |
|
{B32} |
|
Abbot
and Holder, Selling exhibition, November 2004 |
| {B33} |
|
Critic's Choices (Robert Melville), Arthur Tooth, 1971 |
| {B34} |
|
Graham Arnold Exhibition, Piccadilly Gallery, 1991 |
| {B35} |
|
Ombersley Gallery Exhibition, 2004 |
| {C1} |
|
Mark Richards personal conversation with Graham Ovenden |
|
{D1} |
|
Mark
Richards' personal involvement in arranging exhibitions and seeing the
work first-hand. |
{D2} |
|
Correspondence/communication received from the owner of the work |
|
{D3} |
|
Mark Richards' personal observation of the work first-hand. |
| {E1} |
|
Wiltshire Hertitage Museum (Devizes), online catalogue. |
|
|
|
|
|
Nomenclature: |
|
|
|
{XX} |
|
Taken,
virtually verbatim, from source designated by XX |
|
{XX~} |
|
Taken,
with very slight alterations to the title, media or size from source XX |
|
{XX~YY} |
|
Taken from source
XX,
with very slight alterations to the title, media or size
based on information in source YY |
|
{XX#} |
|
Taken
from source XX, but using a different date |
|
{XX#YY} |
|
Taken
from source XX, but using a different date, based on information from
source YY |
|
{XX+YY} |
|
Taken
from source XX combined with information from source YY |
|
{XX;YY} |
|
Information
taken
from source XX is confirmed by information from source YY. In exact usage,
either source should be sufficient to provide the information shown, since
there should be no dependency between the sources (ie one should not have
been derived from the other). |
|
{XX,YY} |
|
Information
taken
from source XX is consistent with information from source YY, however, it
does not imply that there is no dependence between the sources. (ie one
source might have been derived from the other). |
|
{XX>YY} |
|
Information
taken
from source XX is consistent with information from source YY, however, it
is believed that information in source YY is derived from source XX. |
|
|
|
|
|